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Hidden Bodies: A Novel, by Caroline Kepnes

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“There’s something deeply insidious about the storytelling of Caroline Kepnes. As satire of a self-absorbed society, Kepnes hits the mark, cuts deep, and twists the knife.” —Entertainment Weekly

“Obsessed.” —Jessica Knoll, New York Times bestselling author of Luckiest Girl Alive

“Delicious and insane...The plot may be twisty and scintillating, but its Kepnes' wit and style that keep you coming back.” —Lena Dunham

“Hypnotic and scary.” —Stephen King

In the compulsively readable follow-up to her widely acclaimed debut novel, You, Caroline Kepnes weaves a tale that Booklist calls “the love child of Holden Caulfield and Patrick Bateman.”

Joe Goldberg is no stranger to hiding bodies. In the past ten years, this thirty-something has buried four of them, collateral damage in his quest for love. Now he’s heading west to Los Angeles, the city of second chances, determined to put his past behind him.

In Hollywood, Joe blends in effortlessly with the other young upstarts. He eats guac, works in a bookstore, and flirts with a journalist neighbor. But while others seem fixated on their own reflections, Joe can’t stop looking over his shoulder. The problem with hidden bodies is that they don’t always stay that way. They re-emerge, like dark thoughts, multiplying and threatening to destroy what Joe wants most: true love. And when he finds it in a darkened room in Soho House, he’s more desperate than ever to keep his secrets buried. He doesn’t want to hurt his new girlfriend—he wants to be with her forever. But if she ever finds out what he’s done, he may not have a choice…

• Sales Rank: #11273 in Books
• Published on: 2016-11-01
• Released on: 2016-11-01
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.10" w x 5.31" l, .0 pounds
• Binding: Paperback
• 448 pages

Review
“There’s something deeply insidious about the storytelling of Caroline Kepnes. As satire of a self-absorbed society, Kepnes hits the mark, cuts deep, and twists the knife.” (Entertainment Weekly)

"Delicious and insane as its predecessor....The plot may be twisty and scintillating, but its Kepnes' wit and style that keep you coming back." (Lena Dunham)

"Obsessed." (Jessica Knoll, New York Times bestselling author)

“With Hidden Bodies (out today), Caroline Kepnes delivers a more riveting, more chilling, more fascinating sophomore novel as our favorite sociopath Joe Goldberg takes on Hollywood… suspenseful, charming and unexpectedly poetic…With her singular style, endearing antihero and captivating social satire, Kepnes will leave you entirely satisfied and ready for more.” (USA Today: Happy Ever After)

"[A] clever, canny and creepy tale that’s every bit as delectable as YOU. Caroline Kepnes is my latest obsession." (Mary Kubica)

“The next Gone Girl is a title that’s been tossed around considerably in literary circles, but Kepnes’ sophomore effort is worthy of the comparison.” (Instyle)

"You will need this book. Caroline Kepnes just became my new favorite writer." (Colleen Hoover, #1 New York Times Bestselling Author)

“A dark, fun and frightening character study that deeply (and I do mean deeply) explores the hypocrisy of the trendsetters of the moment and those who follow them.” (bookreporter.com)

"With its scathing social satire and loathsome yet strangely charming leading man, Kepnes' sophomore effort is well worth the read." (Kirkus)

"The story reads like the love child of Holden Caulfield and Patrick Bateman but without the gore and misogyny, which means nothing stands in the way of the reader enjoying Joe’s cynical, murderous charm. Though it is a sequel to You (2014), Hidden Bodies may be even better on its own." (Booklist)

“His running commentary on life in L.A. brings to mind the American Psycho narrator’s cynical views, and Joe’s twisted attempts at relationships will appeal to fans of Dexter.” (Library Journal)

“Remarkably, the author convinces the reader to empathize with her killer protagonist.” (Publishers Weekly)

“[Kepnes] shows us our essential vulnerability, and how easy it is to fall in love with someone not because of who they are but because they reflect back to us our most cherished ideals and secret points of pride.” (Literary Hub)

“Compulsively readable.” (BookBub)

“What’s truly killer about this book is Kepnes’ verbal pyrotechnics.” (New York Daily News)

“Both a tense story of a monster and a fascinating psychological study, the book dares you to empathize with a killer while keeping you guessing as to what will happen next.” (Barnes & Noble)

“For a tale as dark as a winter day, tuck into Caroline Kepnes’ psychological thriller Hidden Bodies, the sequel to Kepnes’ lauded You.” (Watch! Magazine)

“Chilling...[Kepnes' YOU] will have readers looking over their shoulders.” (Publisher's Weekly)

"An impending sense of dread hangs over Kepnes' cleverly claustrophobic debut, in which love takes on a whole new meaning...Kepnes keeps the reader guessing." (Kirkus Reviews)

"Chilling...unrelenting." (USAToday.com)

“A deeply dark yet mesmerizing first novel of two people caught in a romantic tangle with an ever-tightening knot.” (Booklist)

"This beautifully crafted thriller... will give you chills." (People)

"Ominous." (Us Weekly)

"Both original and compelling. If you only read one new thriller this year, make it this one. It will stay with you long after you have put it down." (Geoffrey Wansell Daily Mail (UK))

"You think you know the story: girl meets boy, boy turns out to be a murderous stalker. US journalist Kepnes' debut is a fantastically creepy thriller...the kind of book you put your life on hold for." (Glamour)

"A page turner...clever and chilling." (Elle (UK))

"A brilliant tale of obsessive love...it's GONE GIRL meets a sinister version of GIRLS." (Marie Claire (UK))

"Compelling." (Entertainment Weekly)

"Is Caroline Kepnes’ 'You' the next GONE GIRL? It'll take you inside a psychopath’s head... and might even make you like him. A mad and macabre love story." (TimeOut Australia)

"Could be the next GONE GIRL...a perverse suspense romance about obsession, sex, and secrets." (PopSugar.com)

“If you liked GONE GIRL’S portrayal of a marriage in decline, the demented love story at the heart of YOU will have you gripped….This book will give you Stockholm syndrome." (Harpers Bazaar (UK))

"YOU is superb. So funny, apart from anything else, and properly clever. It is: different, hot." (Sophie Hannah, New York Times bestselling author of The Monogram Murders and The Other Woman's House)

“[I] devoured every page and enthusiastically recommended others do the same…I’m going to scoop up everything Kepnes writes... Probing, visionary and intricate, [You] makes me excited to read whatever she comes up with next.” (The Joplin Globe)

"Seductive." (Curled Up with a Good Book)

“Joe is a horribly funny, strangely seductive narrator to spend time with—bitingly intelligent and simultaneously misanthropic and desperate for love. . . It's hard not to end up rooting for him.” (The Observer)

About the Author
Caroline Kepnes is a native of Cape Cod and the author of many published short stories. After graduating from Brown University, Caroline moved to New York where she covered pop culture for Entertainment Weekly and Tiger Beat. She also worked as a staff writer on the first season of ABC Family's The Secret Life of the American Teenager. Caroline’s second novel, Hidden Bodies, is the follow-up to her debut novel, You, which was optioned by Showtime. Caroline now lives in Los Angeles, where she writes fiction, drinks artificially sweetened caffeinated beverages, and avoids freeways. Follow @CarolineKepnes on Twitter or visit CarolineKepnes.com.

 

Excerpt. © Reprinted by permission. All rights reserved.
Hidden Bodies 1
I buy violets for Amy. Not roses. Roses are for people who did something wrong. I have done everything right this time around. I’m a good boyfriend. I chose well. Amy Adam lives in the moment, not in the computer.

“Violets are the state flower of Rhode Island,” I tell the guy wrapping up my flowers. His careless, dirty hands graze the petals, my petals. New Fucking York.

“Is that so?” He chuckles. “You learn something new every day.”

I pay cash and carry my violets outside to East Seventh Street. It’s hot for May and I smell the flowers. Rhode Island. I’ve been to Rhode Island. I went to Little Compton last winter. I was lovesick, petrified that my girlfriend—R.I.P. Guinevere Beck—was in jeopardy because of her emotionally unstable friend—R.I.P. Peach Salinger.

Someone honks at me and I apologize. I know when something is my fault, and when you walk into a blinking crosswalk, it’s your fault.

Just like it was my fault last winter. I go over the mistake in my head a dozen times a day. How I was hiding in a closet upstairs at the Salinger house. How I had to pee but couldn’t leave. So I pissed in a mug—a ceramic mug—and I put the mug down on the hardwood floor of the closet. I ran when I had the chance, and there is no way around it: I forgot the mug.

I’m a changed man because of that day. You can’t go back and alter the past, but you can go forward, become a person who remembers. Now, I’m committed to the details. For example, I recall with total precision the moment that Amy Kendall Adam returned to Mooney Rare and Used, to my life. I see her smile, her untamed hair (blond), and her résumé (lies). That was five months ago and she claimed she was looking for a job but you and I both know she was looking for me. I hired her, and she showed up on time for her first day with a spiral notebook and a list of rare books that she wanted to see. She had a glass container of superfruits and she told me they help you live forever. I told her that nobody gets to live forever and she laughed. She had a nice laugh, easy. She also had latex gloves.

I picked one up. “What are these?”

“So I don’t hurt the books,” she explained.

“I want you up front,” I countered. “This is just a basic job, mostly stocking shelves, manning the register.”

“Okay,” she said. “But did you know that there are copies of Alice in Wonderland that are worth over a million dollars?”

I laughed. “I hate to break your heart, but we don’t have Alice downstairs.”

“Downstairs?” she asked. “Is that where you keep the special books?”

I wanted to place my hand on the small of her back and lead her down to the cage, where the special books are preserved, boxed, saved. I wanted to strip her down and lock us inside and have her. But I was patient. I gave her a W-9 and a pen.

“You know, I could help you go yard-sale-ing for old books,” she said. “You never know what you’re going to find at yard sales.”

I smiled. “Only if you promise not to call it yard-sale-ing.”

Amy smiled. The way she saw it, if she was going to work here, she was going to make a dent. She wanted us to travel uptown to estate sales and hunt library clearances and jam our hands into empty boxes on the street. She wanted to work together and this is how you get to know someone so well, so fast. You descend into musty vacated rooms together and you rush outside together to gulp the fresh air and laugh and agree that the only thing to do now is get a drink. We became a team.

An old woman pushing a walker looks up at me. I smile. She points at the violets. “You’re a good boy.”

I am. I thank her and keep walking.

Amy and I started dating a few months ago while we were on the Upper East Side in a dead man’s parlor. She tugged on the lapel of the navy blazer she had bought for me—five bucks—at a tag sale. She pleaded with me to drop seven hundred on a signed, wrinkled edition of The Easter Parade.

“Amy,” I whispered. “Yates isn’t big right now and I don’t see a resurgence on the horizon.”

“But I love him,” she begged. “This book means everything to me.”

This is women; they are emotional. You can’t do business like this but you also can’t look at Amy with her big blue eyes and her long blond hair out of a Guns N’ Roses song and say no to her.

“What can I do to change your mind?” she wheedled.

An hour later, I was the owner of an overpriced Easter Parade and Amy was sucking my dick in a Starbucks bathroom in Midtown and this was more romantic than it sounds because we liked each other. This was not a blowjob; this was fellatio, my friends. She stood and I pulled her boyfriend jeans to the floor and I stopped short. I knew she didn’t like to shave; her legs were often bristly and she’s all about water conservation. But I did not expect a bush. She kissed me. “Welcome to the jungle.”

This is why I smile as I walk and this is how you get happy. Amy and I, we are sexier than Bob Dylan and Suze Rotolo on the cover of The Freewheelin’ and we are smarter than Tom Cruise and Penélope Cruz in Vanilla Sky. We have a project: We are amassing copies of Portnoy’s Complaint. It’s one of our favorite books and we reread it together. She underlined her favorite parts with a Sharpie and I told her to use a more delicate pen.

“I’m not delicate,” she said. “I hate delicate.”

Amy is a Sharpie; she’s passionate. She fucking loves Portnoy’s Complaint and I want to possess all the dark yellow copies ever made and keep them in the basement so that only Amy and I can touch them. I’m not supposed to overstock a title, but I like fucking Amy near our yellow wall of books. Philip Roth would approve. She laughed when I told her that and said we should write him a letter. She has an imagination, a heart.

My phone rings. It’s Gleason Brothers Electricians about the humidifier but it can wait. I have an e-mail from BuzzFeed about some list of cool indie bookstores and that can wait too. Everything can wait when you have love in your life. When you can just walk down the street and picture the girl you love naked on a mound of yellow Complaints.

I reach Mooney Books and the bell chimes as I open the door. Amy crosses her arms and glares at me and maybe she’s allergic to flowers. Maybe violets suck.

“What’s wrong?” I ask, and I hope this isn’t it, the beginning of the end, when the girl becomes a cunt, when the new car smell evaporates.

“Flowers?” she asks. “You know what I want more than flowers?”

I shake my head.

“Keys,” she says. “A guy was just here and I could have sold him the Yates but I couldn’t show it because I don’t have keys.”

I toss the flowers on the counter. “Slow down. Did you get a number?”

“Joe,” she says, tapping her foot. “I love this business. And I know I’m being a dumb girl and I shouldn’t tell you how into this I am. But please. I want keys.”

I don’t say anything. I need to memorize it all, lock it away for safekeeping, the low hum of the music—the Rolling Stones’ “Sweet Virginia,” one of my favorites—and the way the light is right now. I don’t lock the door. I don’t flip the OPEN sign over. I walk to the other side of the counter and I take her in my arms and I dip her and I kiss her and she kisses me back.

I’VE never given anyone a key. But this is what’s supposed to happen. Your life is supposed to expand. Your bed is supposed to have enough room for someone else and when that someone comes along, it’s your job to let her in. I seize my future. I pay extra to get ridiculous theme keys, pink and flowery. And when I place these pink metallic things in the palm of Amy’s hand, she kisses them.

“I know this is huge,” she says. “Thank you, Joe. I will guard these with my life.”

That night, she comes over and we watch one of her stupid movies—Cocktail, nobody is perfect—and we have sex and order a pizza and my air-conditioning breaks.

“Should we call someone?” she asks.

“Fuck it,” I say. “It’s Memorial Day coming up.”

I smile and pin her down and her unshaven legs scratch against mine and I’m used to it now. I like it. She licks her lips. “What are you up to, Joe?”

“You go home and pack a bag,” I say. “And I’m gonna rent us a little red Corvette and we’re gonna get out of here.”

“You’re insane,” she says. “Where are we going in this little red Corvette?”

I bite her neck. “You’ll see.”

“You’re kidnapping me?” she asks.

And if this is what she wants, then yes. “You have two hours. Go pack.”

Most helpful customer reviews

2 of 2 people found the following review helpful.
Pass
By Amazon Customer
I couldn’t wait for this to be over. I liked You a lot because I thought it was so interesting to read Joe’s point of view, the way he misinterprets Beck’s words/actions to mean the total opposite of what she intended. Fast forward to Hidden Bodies and Joe is back to killing everyone who he comes across. It kind of seemed a little over the top. I get that it’s fiction, but it was just too much of a stretch to be a believable story for me. In the sequel, Joe turns into more of a killer who commits these acts when he doesn’t get his way vs in You, he was a killer who truly believed he was doing the right thing. I also felt like Kepnes was trying so hard for the story to be relevant. Hitting every pop culture reference she could think of ("guac," Reese Witherspoon, Amy Adams, Lilly Pulitzer, Taco Bell). It seemed so forced. Almost as if she was trying to convince the reader she's not a regular mom, she's a cool mom. Save your time.

2 of 2 people found the following review helpful.
Phenomenal
By Suzanne
First, I would say that, if you haven't read "You," you should start there. While " Hidden Bodies" is a great story on its own, Joe Goldberg's complexity is best understood across the complete timeline.

Having said that, I didn't expect that Kepnes could outdo her work in "You," but I loved this story even more. Believable? Maybe not, but this is a 21st century Bluebeard and the fairy tale ending is as magical as you could want.

Kepnes also manages to nail the sardonic humor of the "intelligentsia," the disdain of the younger generation for all things traditional, and the irony that is the old becoming the new and the new becoming the old. Whether you're into literature or pop fiction, horror movies or "Friends," there is something here for you. Enjoy!

0 of 0 people found the following review helpful.
:: 4 Pretty Little Stars ::
By Pretty Little Book Reviews
My first thought after finishing this book: “It can’t end here. There has to be MORE.” While this book doesn’t end in a cliffhanger per se, I feel like the story can’t possibly end like it did here. It simply can’t. Or I will be SUPER upset! :o) For those who are wondering, this is a SEQUEL to YOU by Caroline Kepnes. In order to fully appreciate and understand the storyline that is going on, you have to read the first book. Overall, for being a sequal I have to admit that this book was FABULULOUS. It is just as good as the first one. This is hard to do because a lot of times the sequels don’t live up to the first book. Like ever. This is not the case with this one though and I am VERY happy about this. I love Joe just as much as I did in the first one. Who would have known that a person like him (a murderous stalker) would get into my heart like this? Utter craziness I tell you! The plot is thick, dynamic, totally engrossing, terrifying in a way that you never know what’s happening in the minds of those who are close to you, and flawlessly told. The book is told completely in Joe’s POV, and this brings about his sadistic tendencies and thoughts in a brilliant way. Overall, I absolutely love this series and I really HOPE this will continue…

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The first edition of Geometric Morphometrics for Biologists has been the primary resource for teaching modern geometric methods of shape analysis to biologists who have a stronger background in biology than in multivariate statistics and matrix algebra. These geometric methods are appealing to biologists who approach the study of shape from a variety of perspectives, from clinical to evolutionary, because they incorporate the geometry of organisms throughout the data analysis. The second edition of this book retains the emphasis on accessible explanations, and the copious illustrations and examples of the first, updating the treatment of both theory and practice. The second edition represents the current state-of-the-art and adds new examples and summarizes recent literature, as well as provides an overview of new software and step-by-step guidance through details of carrying out the analyses.

• Contains updated coverage of methods, especially for sampling complex curves and 3D forms and a new chapter on applications of geometric morphometrics to forensics
• Offers a reorganization of chapters to streamline learning basic concepts
• Presents detailed instructions for conducting analyses with freely available, easy to use software
• Provides numerous illustrations, including graphical presentations of important theoretical concepts and demonstrations of alternative approaches to presenting results

• Sales Rank: #1277298 in Books
• Published on: 2012-08-16
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.20" w x 7.70" l, 2.55 pounds
• Binding: Hardcover
• 488 pages

Most helpful customer reviews

1 of 2 people found the following review helpful.
Five Stars
By Andres
The book is like a new.

1 of 3 people found the following review helpful.
Great book for all levels
By Fabio
Great book for all levels. Gives you a sense compromise of the authors towards a better understanding of the subject.

1 of 4 people found the following review helpful.
Five Stars
By Windsor Aguirre
Must for anyone interested in geometric morphometrics.

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Economic Value Added (EVA) and Value Based Management (VBM) are today’s hottest management buzzwords. But written information has often been biased and clouded by the authors’ hidden agendas. EVA and Value-Based Management is the first book to unflinchingly discuss the pros and cons of EVA and VBM. Covering both implementation and conceptual issues, with a strong emphasis on performance measurement, value drivers, and management compensation, it allows readers to come to their own informed conclusions.

• Sales Rank: #989843 in eBooks
• Published on: 2000-12-13
• Released on: 2000-12-13
• Format: Kindle eBook

Review
"...thoughtful...discussion of management compensation issues...If you have time to read one book on EVA, read this one." -- The Accounting Review, January 2002

"excellent...will repay careful study....more detailed and contains more material of interest to investment professionals." -- Financial Analysts Journal, Nov/Dec, 2001

From the Back Cover
Real-world guidelines for implementing EVA

Today’s Most Comprehensive and Unbiased Evaluation of Value-Based Management and EVA

Economic Value Added (EVA) and Value Based Management (VBM), despite persistent claims to the contrary, are not magic wands, guaranteeing instant success. Instead, they are a set of management tools―powerful tools, to be sure, proven to work in case after case―for creating and augmenting shareholder value.

And as with any tools, users will achieve the greatest success only by learning and understanding both their strengths and weaknesses. EVA and Value Based Management is the first book to fully explain all sides of EVA and VBM, and cover the critical factors in harnessing EVA and VBM to build shareholder value. It provides in-depth coverage of the key steps in implementing EVA, including:
* Determining your cost of capital
* Using accounting adjustments to make EVA a better measure of performance
* Identifying value drivers to guide performance improvement
*Tying management compensation to EVA

The sustained creation of shareholder value doesn’t happen by accident―it happens because companies plan for it. Let EVA and Value Based Management give you the clear, concise, and up-to-date information you need on EVA and VBM―what they are, why they work, and how they can work for you―and then show you how to use that information to reach your own informed conclusions.

Managers―even those from just a quarter century ago―would have a difficult time recognizing today’s business climate. In the new world order, companies must prove their worth in both commercial markets (making and selling the best products and ideas) and capital markets (creating value through optimal use of all available resources, all the time). Those that fall behind in either pursuit will find the climb to market leadership difficult if not impossible.

EVA and Value Based Management is the first book to frankly and comprehensively discuss the pros and cons of Economic Value Added (EVA) and Value Based Management (VBM)―proven in numerous cases to increase shareholder value while strengthening organizations in which they are successfully implemented. Written by award-winning INSEAD professor S. David Young and leading management expert Stephen F. O’Byrne, it covers both conceptual and implementation issues, placing a strong emphasis on performance measurement, value drivers, and management compensation.

Look to EVA and Value Based Management for:
* A clear explanation of the concepts behind EVA and VBM
* A highly practical guide to implementing EVA for performance measurement and incentive compensation, with dozens of real world examples
* An honest assessment of the pros and cons of EVA and competing value-based approaches
* A frank discussion of the company characteristics that help or hinder successful EVA implementation, helping you to decide whether EVA and VBM are right for your organization.

Many prominent corporate leaders have long proclaimed―and, even more significant, put to the real-world test―the benefits of EVA. In EVA and Value Based Management, management experts S. David Young and Stephen F. O’Byrne define and discuss EVA, then present a simple, easy-to-understand approach for determining how it will succeed in your organization. The result is an all-inclusive, no-holds-barred overview of value-based management and EVA―and today’s most valuable, practical guidebook for implementing a highly effective, performance driven management program.

About the Author
S. David Young, Ph.D., is a professor at INSEAD, one of the world’s leading graduate business schools. A consultant on EVA and value-based management for several American, European, and Asian companies, Dr. Young’s research has appeared in many academic and professional journals. He can be reached at david-young@insead.fr. Stephen F. O’Byrne is president and co-founder of Shareholder Value Advisors Inc., a consulting firm that helps companies increase shareholder value through better performance measurement, incentive compensation, and valuation analysis. Byrne is a former senior vice president at Stern Stewart & Co., and his articles have appeared in a wide variety of journals. He can be reached at sobyrne@bellatlantic.net.

Most helpful customer reviews

60 of 71 people found the following review helpful.
Fails to keep its promise: Metric War + Compensation
By Markus Breuer
This book does NOT offer 'A practical guide to valuation' but a theoretical,oldfashioned discussion of the 'Metrics War'and some empirical research on EVA, Compensation and CFROI-Fade.
My rating has got these origins: Empirical research on Compensation,EVA and CFROI-Fade: A+. Discussion of EVA/CFROI: D-. Terminology: D value for 'Hands-on-valuation': F- Structure: F- Style: F-.
This book does contain interesting empirical research on EVA etc, but it does not offer 'A practical Guide to Implementation' because it does not contain a STAGE-Approach. Its terminology differs from any other book I've read, you must often guess, which formulas the authors used, because they did not have the courtesy to express their formulas. Some formulas are wrong nad their discussion of the 'metrics war' betweenn EVA and CFROI lags 5 years behind reality. They attack old methods of CFROI,which Boston Consulting and Holt Value published 5 (!) years ago. They fail to know, that BCG have refined CVA/CFROI and that BAYER. Lufthansa,and VEBA have implemented these refined CFROI-techniques,which are way better, than the old methods, which the book attacks.
Moreover, this book is terrible to read due to a lack of structure, the absence of clear definitions, the lack of formulas, a wordy style,which exhausts your nerves, and many value judgements....

9 of 9 people found the following review helpful.
Highly Recommended!
By Rolf Dobelli
Kudos to S. David Young and Stephen F. O'Byrne, management consultants who largely steer clear of their industry's usual empty catchphrases and superficial hype. Instead, their lucid explanation of the importance of shareholder value takes center stage. The heftiness of EVA and Value-Based Management may be daunting, but most readers will be satisfied with Part I's strategic overview. The concepts reappear in Part II accompanied by a wealth of technical details, calculations and case studies to help finance professionals with nitty-gritty implementation of EVA (Economic Value Added) programs. The book honestly assesses EVA's power to motivate managers, noting that some companies just are not well-suited for this performance metric. We from getAbstract prescribe this book to corporate executives who have overdosed on consultant jargon but still want to drive value growth in their companies, and to finance specialists who seek a comprehensive roadmap to EVA implementation.

12 of 13 people found the following review helpful.
Excellent book
By Eleanor Bloxham
As an author, speaker and consultant on these topics, I highly recommend this book. Not only have the authors discussed the pros and cons of a number of approaches thoughfully and concisely, they also expand the level of understanding related to the calculations in an accessible way. Their book discusses both implementation issues and the nitty gritty of the mechanics. In sum, the book takes the reader to the next level of understanding. I highly recommend this book.

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• Published on: 2014
• Dimensions: 10.28" h x 11.22" w x .59" l,
• Binding: JP Oversized

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The General Directory for Catechesis provides religious educators, teachers, and catechists with a single point of reference for all aspects of catechetical instruction.

• Sales Rank: #225714 in Books
• Brand: Brand: USCCB Publishing
• Published on: 1998-01-15
• Original language: English
• Number of items: 1
• Dimensions: .61" h x 6.00" w x 9.06" l,
• Binding: Paperback
• 300 pages

Features

• Used Book in Good Condition

From the Back Cover
Related Titles On Catechesis in Our Time (Catechesi Tradendae) Pope John Paul II s timeless apostolic exhortation reflects on the realities and joys of bringing the mystery of Christ to all the world. No. 654-9, 100 pp. Guide for Catechists The Congregation for the Evangelization of Peoples examines the main aspects of the catechist's vocation, identity, spirituality, selection and training, basic apostolic tasks, and remuneration. English: No. 824-X, 60 pp. Spanish: No. 027-3, 80 pp. Guidelines for Doctrinally Sound Catechetical Materials The U.S. bishops provide guidelines for producing catechetical materials consistent with the teachings of the Catholic Church. For use by diocesan offices and publishers of Catholic materials. No. 419-8, 32 pp. On the Permanent Validity of the Church's Missionary Mandate (Redemptoris Missio) Pope John Paul II's encyclical letter addresses the urgency of missionary activity by those in the Catholic Church among the growing number of unchurched throughout the world. No. 424-4, 168 pp. On Evangelization in the Modern World (Evangelii Nuntiandi) Addressing the special commitment of evangelization, Pope Paul VI s apostolic exhortation explores efforts to proclaim the Gospel to a modern people. No. 129-6, 70 pp.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Need companion copy of National Directory for Catechesis
By J. K. Drake
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0 of 0 people found the following review helpful.
A MUST resource if you teach the faith
By M. Akers
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Five Stars
By Jerilyn Williams
It was as good as a brand new book but less than half the price.

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Contemporary Engineering Economics, 5/e, is intended for undergraduate engineering students taking introductory engineering economics while appealing to the full range of engineering disciplines for which this course is often required: industrial, civil, mechanical, electrical, computer, aerospace, chemical, and manufacturing engineering, as well as engineering technology.

 

This edition has been thoroughly revised and updated while continuing to adopt a contemporary approach to the subject, and teaching, of engineering economics. This text aims not only to build a sound and comprehensive coverage of engineering economics, but also to address key educational challenges, such as student difficulty in developing the analytical skills required to make informed financial decisions.

 

• Sales Rank: #33933 in Books
• Published on: 2010-01-13
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.60" w x 7.40" l, 3.44 pounds
• Binding: Hardcover
• 900 pages

Review

“The Park text is one that students can engage better because of the emphasis on personal finance issues and clear explanations of business finance issues and why and when they are requested in industry.  I find that students learn Engineering Economy much more effectively when they can relate it to their own personal situations and understand how critical these finance skills are to their personal success.”

-Dr. David Sly, PE, IOWA STATE UNIVERSITY

 

“I believe that it is a superior text for its purpose due to the clarity and strong examples.”

-Stephen Smith, DREXEL UNIVERSITY

 

“The collection of stories in the opening vignettes and its overall writing style makes the adjective “contemporary” in the title of the Park text well deserved.  I would describe this text as a textbook written with students’ interests in mind.”

-Alla Kammerdiner, ARIZONA STATE UNIVERSITY

 

“Contemporary Engineering Economics provides a very good coverage of fundamental issues in engineering decision making with contemporary examples and opening cases.”

-Bahattin Koc, UNIVERSITY AT BUFFALO (SUNY)

From the Back Cover
"Contemporary Engineering Economics, 5/e, "is intended for undergraduate engineering students taking introductory engineering economics while appealing to the full range of engineering disciplines for which this course is often required: industrial, civil, mechanical, electrical, computer, aerospace, chemical, and manufacturing engineering, as well as engineering technology. This edition has been thoroughly revised and updated while continuing to adopt a contemporary approach to the subject, and teaching, of engineering economics. This text aims not only to build a sound and comprehensive coverage of engineering economics, but also to address key educational challenges, such as student difficulty in developing the analytical skills required to make informed financial decisions.

About the Author
Dr. Chan S. Park is a Ginn Distinguished Professor of Engineering in the Department of Industrial & Systems Engineering
at Auburn University.His teaching and research interests are in the area of engineering economic decisions and financial engineering. He received his PhD from Georgia Institute of Technology.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Exactly the same as the hardcover
By Mark Sutter
Exactly the same book as the hard cover, but at a lot lower of a price. I would definitely recommend this to anyone that needs it. It is a bit bulky, but then again who cares when you can save all the money and weight of a hard-cover.

3 of 3 people found the following review helpful.
Strongly Recommended
By G. Sobers
This book provides a solid foundation for the practicing engineer involved with the econmic evaluation of engineering projects, an area which determines for the greater part, whether projects should be progressed or aborted. The principles are well defined and the examples are easy to follow, rightfully stimulating thinking and not substituting for it, since as we are well aware, engineering projects may vary in size, scope and complexity. I would recommend this book to any engineering student or practicing engineer. Consulting the work of other authors (eg Sullivan) would supplement understanding and appreciation of the subject matter. I gave the book a 4 star rating because of the errors within the examples provided. The principles however, are conveyed so effectively in the text that identification of these errors become easy.

0 of 0 people found the following review helpful.
Too wordy. Does not include answers to end-of-chapter problems.
By Maricarmen San Mamés
This title shouldn't be compulsory in university courses. Like other books in the subject, this one is too wordy and not an amicable alternative to instructors' poor teaching skills. Furthermore, the book has end-of-chapter problems, but no answers are provided. I wish editorial companies compelled authors to include answers to at least half of the problems, so as to render these "resources" any useful.

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[Q949.Ebook] Download PDF The Cartoonist's Big Book of Drawing Animals, by Christopher Hart

Download PDF The Cartoonist's Big Book of Drawing Animals, by Christopher Hart

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The Cartoonist's Big Book of Drawing Animals, by Christopher Hart

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All of Chris Hart’s how-to-draw titles are best-sellers. And the best-sellers among all of his best-sellers are the ones about animals. How to Draw Cartoon Animals, just one example, appears regularly on the BookScan Top 50 Art Books list, with more than 190,000 copies sold. Now The Cartoonist’s Big Book of Drawing Animals is ready to roar onto the market! All the most popular animals are here, including dogs, cats, horses, penguins, lions, tigers, bears, and elephants, as well as the favorite sidekick animals—pigs, kangaroos, giraffes, turtles. Simple step-by-step drawings show how to capture every cartoon emotion, from cutesy-sweet to begging to scheming, and how to create every box-office type, from baby animals to villain animals to clueless animals and much more. Faces, bodies, paws, feet, wings, tails—every part of dozens of animals is explained in this bumper book by the world’s leading author of instructional art books. It’s a mega-menagerie for cartoonists!


From the Trade Paperback edition.

• Sales Rank: #570335 in eBooks
• Published on: 2013-07-17
• Released on: 2013-07-17
• Format: Kindle eBook

From School Library Journal
Grade 2–6—In this follow-up to How to Draw Cartoon Animals (Watson-Guptill, 1995), Hart shows young artists how to draw an impressive array of creatures. He includes many different animals, such as bears, penguins, horses, dogs, and cats, as well as a variety of breeds. In the introduction, Hart explains that this book includes edgier styles and more retro characters than his first book. The step-by-step, black-and-white outlines are accessible to beginning artists as well as those with more experience. The humorous and engaging characters include different cartoon "types" such as the evil genius or ultra-cute kitten, and there is a wide range of facial expressions as well. The simple text that accompanies each drawing explains the artist's choices and focuses readers' attention on important details in each drawing. Children will love this thorough and easy-to-use how-to guide.—Mari Pongkhamsing, St. Perpetua School, Lafayette, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
CHRISTOPHER HART is the world's bestselling author of drawing and cartooning books. His books have sold more than 7.4 million copies and have been translated into 20 languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals, and they have been selected by the American Library Association for special notice.

Excerpt. © Reprinted by permission. All rights reserved.
Well, for a penguin, it doesn't take much to bundle up for a snowstorm. But even a mother penguin is known to nudge her child to wear a hat! 
While you can create a variety of penguin characters, there is one caveat: Penguins have to be cute! Even if you're drawing evil penguins, they have to be cute-evil. It's a rule. If you break it, you'll get hate mail from penguin lovers all over the world.
Here's an important hint that is sure to make them look cute: Penguins have almost no legs! Their bodies are basically plopped down on their large flat feet. They're all tummy! This gives them a stubby, adorable look, even though they've got a long torso, because the torso is always abruptly cut off at the feet.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Big Book of Drawing Animals
By kris
I really like this book. Lately I've been drawing cartoon animals, so it's nice to have examples of some of the most popular animals that are drawn. It gives you a variety of different styles for drawing animals, & a lot of tips, suggestions, and what to avoid, when creating your own. My only qualm with this book, is that there are more similar examples of animals, than lots of different animals. For example: the first few animals (bears, cats, dogs, horses) have a lot of examples/pages, but when the book starts getting towards the end, animals like (cow, pig, rabbit) have maybe 2 examples, while the hippo, turtle & giraffe only got one, before the index page. It would've been nice for more animal types (i.e. alligators & crocodiles differences), & a few examples each for balance. All in all, it's a great book to have in your arsenal when tackling animal drawing, regardless.

1 of 1 people found the following review helpful.
amazing. you have to get this book, if you have problems drawing. i say this GET THIS BOOK. IT WILL OPEN YOUR EYES..
By jenny clayton
I love this book it makes drawing these animals so easy, I have never seen a breakdown of drawing like this before it has really opened up my eyes its really amazing.. its like I was blind and now I can see. that is a song right.

0 of 0 people found the following review helpful.
Fun book of cute cartoon animals!
By Casey Jenkins
I'm new to drawing and just happened to see this book on Amazon and thought I'd give it a try. Although my attempts don't quite match the author's, I'm actually drawing some pretty cute animals by following the instructions in the book. I've recently just added a couple of more books to my cart from Christopher Hart, anxious to try other types of drawing. I would definitely give this a try if you're a beginner and want to make some really cute pictures in a very short time!

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