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for viola or cello, and piano

• Sales Rank: #4202866 in Books
• Brand: Oxford University Press
• Published on: 1969-03-31
• Original language: English
• Dimensions: 9.13" h x .5" w x 12.25" l, .17 pounds
• Binding: Paperback
• 12 pages

About the Author
In the fifty years since his death, Vaughan Williams has come to be regarded as one of the finest British composers of the 20th century. He has a particularly wide-ranging catalogue of works, including choral works, symphonies, concerti, and opera. His searching and visionary imagination, combined with a flexibility in writing for all levels of music-making, has meant that his music is as popular today as it ever has been.

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0 of 1 people found the following review helpful.
Not satisfactory
By Anne M. Culver
It wasn't what I ordered! I ordered 4 PIANO DUETS: I only got two. Greensleeves was for FLUTE & piano, and Viva Vivaldi was a CD!!

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One of the most popular LEGO(R) lines of all time, the best-selling LEGO BIONICLE series, is BACK with an all-new book!

The hit LEGO(R) BIONICLE series returns with an all-new, never-before-seen adventure! This novel presents a tale of epic proportions, set on a mysterious island where the masters of elements called Toa fight for powerful masks that can be used for good, or evil...

• Sales Rank: #239365 in Books
• Published on: 2015-08-25
• Released on: 2015-08-25
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x .50" w x 5.30" l, .0 pounds
• Binding: Paperback
• 128 pages

Most helpful customer reviews

12 of 13 people found the following review helpful.
By a Veteran Bionicle Nerd
By David W Cunnington
As a MASSIVE nerd of the original Bionicle, I'm thrilled that it has continued. But like the sets, the book has increased in price since the hiatus, which is to be expected, given 5 years of inflation. It's about as long as the previous generation's books, though the text seemed a bit larger to me.

When I first heard an accredited author such as Windham would be writing the new books, I was thrilled. After reading it, I'm not so excited. First of all, the second half of the book almost exactly follows the online animations word-for-word, though not all the animations have been released yet, so a look further into the story was appreciated. Back on point. Since the book follows the animations so closely, the dialogue is, frankly, terrible. I even caught myself reading in the online narrator's voice, such as "Adededbeda heeyah that weeyad voys in my headagain" and "I AM THA MOSTAH AFF FAIYAUGH!" One plot hole I was hoping would be answered was, "Why didn't protectors of previous generations summon the Toa to awaken Ekimu centuries ago, even when it first happened?" This question is not answered. And I'm very, very disappointed.

Second problem with the writing: Greg Farshtey, the writer for 97% of the last generation's books, regularly interacted with fans young and old, getting a feel for just how much information they could grasp. Like the online animations, Windham has taken the liberty of spoonfeeding us the information out of a jar of Gerber's, SEVERELY underestimating our collective age and intelligence. I doubt anyone with this level of reading comprehension would even want to read a book lacking illustrations.

Third, for characters that have been around 14 years, the Toa have VERY bland personalities. When they show even the slightest sign of development, they contradict their previous generation's incarnations, which again is due to the online animations' writer.

Now, the good. The first half of the book gives us a GREAT insight into the history, culture, and geography of Okoto, or at least better than I remember reading about Mata and Metru Nui. Though the latter had movies, comics, and video games to flesh them out instead. The book describes exactly how the island was separated into regions, and why the masks were scattered, something sorely lacking from the animations, and both names and elaborates on the Protectors, only one of whom got a speaking part online. I have to say I was most impressed by Korgot, Protector of Earth's willingness to break the father-to-son tradition of the protectors, as she is female. Very, VERY glad we finally have a female character who has an element that's not water.

Along the top of every page is the Okoto alphabet, which the fans have yet to fully decode. Between sections, though, there are bits of legible Okoto symbols spelling out characters' names, though it's a bit bothersome that the name only matches up with the following character once.

In short, Windham starts off very well, fleshing out the island when he has the creative freedom. But as the book goes on and he's restricted by the animations, well... The book ends up being just as terrible as the animations. But I don't care, because BIONICLE IS BACK!

4 of 5 people found the following review helpful.
Quality has gone downhill /:
By DattebyoKaiju96
The packaging, shipping and everything else was great.
Now to the book.
The writing is honestly not up to par.
And before you make the argument that this is a children's book, Greg Farshtey did the Bionicle books during Bionicle's first run, and he did a better job than this new guy.
There was more of a complexity to the older books that was still relatable to both kids, teens, and adults, even to this day. The writing has honestly gone downhill. Hopefully they either get a better author or this author improves his writing.

1 of 1 people found the following review helpful.
I was disappointed of the book
By Esteban
I was disappointed of the book.

The first half is exactly what I expected: we see characters and settings outside what has already been published in the website. Solid building blocks to create an epic tale.

The second half failed miserably, being an exact description of the animations available in the website. I expected to have a more complete story with more events than the ones in the animations. Sadly the book doesn't even gives more insight into the events shown in the videos. It's just plain lame.

I really expect the next book rises the bar and is more complete and detailed than this one.

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Nothing ever happens on the Otter Lake reservation. But when 16-year-old Tiffany discovers her father is renting out her room, she’s deeply upset. Sure, their guest is polite and keeps to himself, but he’s also a little creepy. Little do Tiffany, her father, or even her astute Granny Ruth suspect the truth. The mysterious Pierre L’Errant is actually a vampire, returning to his tribal home after centuries spent in Europe. But Tiffany has other things on her mind: her new boyfriend is acting weird, disputes with her father are escalating, and her estranged mother is starting a new life with somebody else. Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L’Errant changes everything ... for both of them. A mesmerizing blend of Gothic thriller and modern coming-of-age novel, The Night Wanderer is unlike any other vampire story.

• Sales Rank: #139429 in Books
• Published on: 2007-09-01
• Original language: English
• Number of items: 1
• Dimensions: 7.25" h x .63" w x 5.00" l, .49 pounds
• Binding: Paperback
• 215 pages

Review
One of Quill and Quire's Books of the Year 2007: "Shivers and chills in an Anishinabe setting... refreshingly smart humour." (Patty Lawlor Quill and Quire)

Teens who devour vampire fiction will enjoy this unusual slant on the oft-told legend. (Jan Chapman VOYA)

A vampire story like no other. (The Canadian Children's Book Centre Best Books for Kids & Teens)

Michael Wyatt's illustrations for the graphic novel are rich in tone, and his spare use of the colour red lends an eerie hue to the character of L'Errant. (Terri Lawrence-Taylor Professionally Speaking)

About the Author

Drew Hayden Taylor is an Ojibwa author, humorist and playwright who has also worked in film and television. He resides on the Curve Lake First Nations reservation in central Ontario.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Another great one from Drew Hayden Taylor!
By drwelch
This is an excellent book for young teens. I am a thirty year old college student who read this in a class on Native American Fiction and I loved it! It's a coming of age tale of romance and teen angst with the threat of a vampire who turns out to be a really great guy. Terrific read! Drew Hayden Taylor is also a hilarious person! Look him up!

1 of 1 people found the following review helpful.
Just love Drew Hayden Taylor's writings
By Räven
This is the fifth book I bought of Drew's work and just WOW!!! extremely engaging and just so much fun reading. If you haven't read any of his books before you have to just buy one and you'll be hooked!
P.S. Drew please put more of your book s on Kindle please!!! I want them all on my kindle!

1 of 1 people found the following review helpful.
Read it!
By jennifer
Fabulous book by a phenomenal author. Great, thought-provoking but quick read. Great for middle school students to read and discuss in literature circle, with teacher, or with an elder!

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This book examines fundamental questions about funding for the arts: Why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts, and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a nonprofit arts organization as well as his expertise in the arts, humanities, and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics, and cultural policy.

• Sales Rank: #1654421 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2010-11-15
• Released on: 2011-01-20
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .79" w x 5.98" l, 1.10 pounds
• Binding: Paperback
• 354 pages

Features

• Used Book in Good Condition

Review
"... this volume presents a strong philosophical defense of government funding of the arts in democratic cultures. It takes issue with philosophers such as Rawls, Dworkin, and Feinberg. Although its arguments are heavily philosophical, they are deeply engaged with the sociocultural dimensions - the economic, social-political, and general cultural justifications - of art ... This is a major scholarly discussion on the subject ... Highly recommended ..."
R. E. Palmer, Choice

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Larry Shiner, Notre Dame Philosophical Reviews

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Jason Simus, The Journal of Aesthetics and Art Criticism

"The central aim of Lambert Zuidervaart's Art in Public can be stated in a phrase: to defend direct state subsidies for non-profit arts organizations ... That art is currently in the stage of wholesale global institutionalization makes Zuidervaart's account of its relation to justice and democracy invaluable."
Philosophy in Review

About the Author
Lambert Zuidervaart is Professor of Philosophy at the Institute for Christian Studies, where he holds the Herman Dooyeweerd Chair in Social and Political Philosophy, and an Associate member of the Graduate Faculty in Philosophy at the University of Toronto. He is the former President of the Urban Institute for Contemporary Arts in Grand Rapids, Michigan. His most recent books with Cambridge University Press - Artistic Truth: Aesthetics, Discourse, and Imaginative Disclosure and Social Philosophy after Adorno - received Symposium Book Awards from the Canadian Society for Continental Philosophy in 2006 and 2008, respectively. His book Adorno's Aesthetic Theory (1991) was the first major study in English on Adorno's aesthetics.

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0 of 0 people found the following review helpful.
Five Stars
By Arnold Thomas Bigger
Outstanding

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There is no end to new beginnings. If you have just set out on the journey of recovery with the Twelve Steps as your guideposts, or if you are beginning again with renewed spirit, these daily meditations will help you along your way, illuminating at every turn the simple beauty of the cornerstone concepts of recovery.

By providing a year's worth of encouragement, reflection, and prayer, Keep It Simple gently integrates recovery wisdom into your everyday life with 366 simple action-for-the-day reminders.

Like all the Hazelden meditation favorites, Keep It Simple is a dependable companion, extending a helping hand to those who seek a daily dose of strength, support, and guidance.

• Sales Rank: #10197 in Books
• Model: 1052600
• Published on: 1989-10-01
• Released on: 1989-10-01
• Original language: English
• Number of items: 1
• Dimensions: 6.00" h x 4.00" w x 1.00" l, .55 pounds
• Binding: Paperback
• 416 pages

About the Author
Hazelden Meditations Hazelden Meditations is a contributor for the following Hazelden Title: Keep It Simple

Excerpt. © Reprinted by permission. All rights reserved.

Keep It Simple

Daily Meditations for Twelve Step Beginnings and Renewal

Introduction

We, the authors of this book, believe a recovery program should be made up of meditation, prayer, and action. This book will try to help readers in each of these areas.

On each page you'll find three sections. The first section will be a quote followed by a few paragraphs on the spiritual message we have found within the quote. We suggest reading the quote and our thoughts on it; then take a few minutes and reflect on your own spiritual journey. How does this quote and our thoughts on the quote speak to your recovery program? Is your program where you want it to be? If so, take pride. If not, think about which of the Twelve Steps you need to work, and what action needs to be taken. We are firm believers that the Steps plus action will solve most problems.

Next on the page, you'll find a Prayer for the Day. We see prayer as an important action. Prayer is an act of reaching outside of yourself. Prayer is an act of asking for help in the task of being human. We suggest reading the Prayer for the Day, and if it fits for you, repeat it throughout the day. If it doesn't, take a few moments and come up with a personal prayer that fits for you. If none comes to mind, use the prayer suggested in Step Eleven, "Thy will be done." Remember, each day we are to turn our self-will over to our Higher Power. In doing so, we get the serenity the program promises.

Finally, you'll find a section named Action for the Day. Our illness was fed by a set of actions. Harmful, destructive actions. A recovery program is also about action. Daily spiritual action. Spiritual action helps us feel better about ourselves and safer in the world. In this section, you'll be asked to take action that is, we hope, made to strengthen your program. Again, if the action fits, do it. If not, think of one that fits for you.

Also in this book, you'll see that we use words like addict and addiction. As time changes, so does language. When we use these terms, we are speaking to both the alcoholic and the drug dependent person. We see no difference between the two. We believe both suffer from the same deadly disease. We ask you to see yourself in the pages, and not in any one word.

Recovery is a process of finding balance between mind, body, and soul. Hopefully, this book will help you find or strengthen this balance.

We thank you for letting us share a part of our spiritual journey with you. We wish you well on your spiritual journey. May you and your Higher Power have a wonderful relationship!

The Authors

January 1

We admitted we were powerless over alcohol . . .
—From Step One of Alcoholics Anonymous

In Step One, we accept our powerlessness over alcohol and other drugs. But we are powerless over many parts of life. We are powerless over other people. We are powerless over what our Higher Power has planned for us.|

Before recovery, we only believed in control. We tried to control everything. We fought against a basic truth, the truth that we are powerless over much of life.
When we accept this truth, we begin to see what power we do have. We have the power to make choices. When we're lonely, we have the power to reach out to others. We have the power to be honest or to lie. We have power over how we live our own lives.

Prayer for the Day
Higher Power, help me to know that it's You who is running my life. Help me to know that power comes from accepting I am powerless.

Action for the Day
I am powerless over much of life. Today I'll look to see how this is true. I'll look to see what I really have control over and what I don't.

January 2
. . . our lives had become unmanageable.
—Second half of Step One

The First Step tells us a lot about addiction. We were out of control. Our addiction was in control. Addiction managed everything. It managed our relationships. It managed how we behaved with our families. As Step One says, ". . . our lives had become unmanageable."

But we pretended we managed our lives. What a lie! Addiction ran our lives—not us. We weren't honest with ourselves. Our program heals us through self-honesty. We feel better just speaking the truth. We are becoming good people with spiritual values. Our spiritual journey has begun.

Prayer for the Day
Higher Power, I give You my life to manage. When I'm faced with a choice, I'll ask myself, "What would my Higher Power choose for me?"

Action for the Day
Today, I'll be honest with a friend about how unmanageable my life had become.

January 3

Never play leapfrog with a unicorn.
—Unknown

As we work Step One, we accept that alcohol and other drugs are poison to us. We accept our limits. This means we know that hanging around our drinking or using "buddies" can remind us of "the good old days." Hanging around "slippery places" means we could "slip" back into our old ways. This isn't testing our sobriety; it's being reckless with it.

So, let's accept our limits. Everybody has limits. When we know our limits, we protect our recovery against the people and places that pull us from our spiritual center. This is what true acceptance means.

Prayer for the Day
I pray for true acceptance. Higher Power, help me to stay away from slippery places. I will protect the gift You've given me.

Action for the Day
Today, I'll list the people and places that are risky for me to be around. I will share this list with my sponsor, my group, and my sober friends.

 

©2008. All rights reserved. Reprinted from Keep It Simple by Hazelden Meditations. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the written permission of the publisher. Publisher: Hazelden Publishing, PO Box 176 , Center City, MN  55012-0176.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This book really helps me and some of my closest ...
By Amanda
This book really helps me and some of my closest friends. It reminds you that you have to take things one day at a time and how important it is to work on the small/simple things first and not to try to take on the whole world at once.

0 of 0 people found the following review helpful.
Best Daily Reflection Book
By Chelsea
It's great and my favorite Daily Reflection book. Some of the quotes are "eye-roll" worthy, like----a Nancy Reagan quote. Really? Overall, it's great and I use it every single day.

0 of 0 people found the following review helpful.
Very good read!!
By Amazon Customer
My husband will love it. I got this for this 3 year anniversary being sober.

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[N830.Ebook] Download PDF Fusion of the Worlds: An Ethnography of Possession among the Songhay of Niger, by Paul Stoller

Download PDF Fusion of the Worlds: An Ethnography of Possession among the Songhay of Niger, by Paul Stoller

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Fusion of the Worlds: An Ethnography of Possession among the Songhay of Niger, by Paul Stoller

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"This ethnography is more like a film than a book, so well does Stoller evoke the color, sight, sounds, and movements of Songhay possession ceremonies."—Choice

"Stoller brilliantly recreates the reality of spirit presence; hosts are what they mediate, and spirits become flesh and blood in the 'fusion' with human existence. . . . An excellent demonstration of the benefits of a new genre of ethnographic writing. It expands our understanding of the harsh world of Songhay mediums and sorcerers."—Bruce Kapferer, American Ethnologist

"A vivid story that will appeal to a wide audience. . . . The voices of individual Songhay are evident and forceful throughout the story. . . . Like a painter, [Stoller] is concerned with the rich surface of things, with depicting images, evoking sensations, and enriching perceptions. . . . He has succeeded admirably." —Michael Lambek, American Anthropologist

"Events (ceremonies and life histories) are evoked in cinematic style. . . . [This book is] approachable and absorbing—it is well written, uncluttered by jargon and elegantly structured."—Richard Fardon, Times Higher Education Supplement

"Compelling, insightful, rich in ethnographic detail, and worthy of becoming a classic in the scholarship on Africa."—Aidan Southall, African Studies Review

• Sales Rank: #721430 in Books
• Published on: 1997-06-21
• Released on: 1997-06-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 6.00" l, .80 pounds
• Binding: Paperback
• 268 pages

About the Author
Paul Stoller teaches anthropology at West Chester University and Temple University. He is the author of numerous books including Money Has No Smell and Jaguar, both published by the University of Chicago Press.

Most helpful customer reviews

4 of 8 people found the following review helpful.
Possesion beyond watching the exorcist
By lettergod
Stoller does an excellent job explaining the various types of possesion ceremonies among the Songhay culture. It's fascinating to picture how the spirits of the outside world can enter a mediums body to basically communicate with the people of Songhay regarding good and bad things occuring within the community. These people turn to the spirit world turn recieve help with settling disputes, having a good harvest in the future, venting their hate for colonialism,etc. But, not only does Stoller do a good job of explaining these various types of spirits, but he also does a wonderful job of interpreting many fascinating ceremonies that he attended. You feel like your actually there, witnessing a spirit taking over a medium's body. I am currently a student of Stoller's, and it was our assignment to read this book. I liked it very much I am continuing my reasearch of spirit-possesion in the future to learn all I can about a subject that's so intriguing. Stoller's book is awesome!

2 of 6 people found the following review helpful.
The fusions
By A Customer
I am currently taking the anthropology class of Dr. Stoller (Magic, Religion & Witchcraft. He gave the class quite a few great books to read, including his. From reading his book, I learned what the title actually means: the social world, the one we live in & the world of the spirits. These are fused when the spirits leave their world and come in contact with ours by taking a medium's body, to transmite a message. Its the possesion of the body and mind, the fusion we cant see, while the medium sees the natural & supernatural. I recommend his book and his teachings!

4 of 5 people found the following review helpful.
Great for Specialists!
By D. McConeghy
The skinny: Buy if you're an ethnographer, anthropologist, or if you are visiting Niger. Otherwise, skip.

This ethnography is an academic upgrade to Stoller and Olke's In Sorcery's Shadow, which was their well-received memoir of Stoller's 10-year apprenticeship to a Songhay (Niger) sorcerers. Unlike the previous work of personal experience with more solitary sorcerers, Fusion of the Worlds attempts to show one spirit possession troupe's ability to operate in many different Songhay "worlds." That is, Stoller wants to show his readers how possession troupes often facilitate a variety of practices. These include the relationship between the individual and the group, remembering the past, engaging in political dialogue, relating Songhay religious practices with Islamic ones, and even negotiating rainfall. Possession troupes, like his from Tillaberi, Niger, are much, much more than performers--they are creating, maintaining, reflecting, identifying, mocking, celebrating, critiquing, and changing the Songhay world. Stoller claims they are fusing the world of the possession troupe and its performances with the rest of Songhay life. It is a mutually beneficial relationship, one which is actively and continually constructed by the troupe and its audience.

Stoller uses large sections of quotation, either from tape-recorder transcriptions or field notes, and he argues that this is really the best way to understand the Songhay. This may be true, but it makes appreciating Stoller's thesis much more difficult. The long sections of stories can be enjoyable, but it can also be laborious for those of us who many read this book without a desire to learn the intimate details of Songhay life. It delays academic discussions to privilege the many stories that help show the troupe's activities. This is fair in one sense, but it fails to provide a strong narrative thread for readers to follow. When Stoller has theoretical contributions, they are often short or delayed until the Epilogue. While some readers may be thankful for this, it was a more serious problem for me.

For instance, there are many useful implications of Stoller's suggestion that Songhay possession theater is much more than the framework for theatrical presentation of cultural history. However, when he argues that we should look to the "inner space" that is cultivated by these performances, readers should instantly recognize the cultural dilemma inherent in any interpretation he offers. Even as an initiate, the troupe's performances were never directed at him, and therefore the only access to the inner life of the Songhay is through language. Stoller musk ask, and his participants must answer him. Thus, the entire work is one of translation where Stoller does his best to make sure that his translation is recognizable to BOTH the Songhay (for accuracy) and his English-reading audience (for intelligibility). When he claims that more is going on inside, we should be aware that his translation has now moved into interpretation and theorizing. This isn't a bad thing--after all it is most scholars' goal to say something meaniningful--but it may mean that the very idea that possession might act as a "microcosm of Songhay culture" is closer to what an observer (and not a participant) would say.

Is this nitpicking? No. The integration of interpretation and transcriptions has been achieved with better results by others authors. If reading about poession is your thing, I encourage you to reader Stoller. However, if you want a BETTER book about possession, I encourage you to read Mama Lola instead.

Mama Lola: A Vodou Priestess in Brooklyn Updated and Expanded Edition (Comparative Studies in Religion and Society)

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[Q986.Ebook] PDF Download Wilma Jean the Worry Machine Activity and Idea Book, by Julia Cook

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A book of activities to go along with Wilma Jean the Worry Machine storybook by Julia Cook. Use as a supplementary teacher's guide with the storybook. Full of discussion questions and exercises to share with students. 8.5 x 11, softcover, 24 pages.

• Sales Rank: #34042 in Books
• Published on: 2012-01-15
• Original language: English
• Number of items: 1
• Dimensions: 10.70" h x .20" w x 8.30" l, .20 pounds
• Binding: Paperback
• 24 pages

About the Author
Julia Cook was born and raised in Salt Lake City Utah. While living in Utah, she became actively involved in teaching children how to ski. That experience led to a love of teaching in general. Julia now lives in Fremont, Nebraska and has a Masters degree in Elementary School Counseling. While serving as a guidance counselor, she often used childrens books to enhance her classroom lessons. Julia is now a nationally recognized award-winning childrens book author who has written more than a dozen books on behavior and health for children as well as several activity books for teachers. Her light, humorous approach keeps kids laughing while they're learning good behavior skills. The goal behind all of Julias books and efforts is to actively involve people into her fun and creative stories and teach them to become life-long problem solvers. Inspirations for her books come from working with children and carefully listening to parents, teachers and corporate leaders. Julias books have been referenced in such publications as Parents Magazine, The New Yorker, and babyzone.com. In her spare time, Julia enjoys spending time with her husband and family. In order to teach a child, you must enter their view of the world. - Julia Cook

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5 of 5 people found the following review helpful.
Great book
By RachelS
I work with a lot of kids who struggle with worries and anxiety. This book is a great tool for helping them recognize their worries and begin to overcome them. The Activity Book is also great!

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Practical workbook
By lovetotravel
I like being able to use what is in a book and make it helpful to kids, and this workbook does just that. It has many ideas, some of which I have used with success, with groups of kids and individuals.

4 of 4 people found the following review helpful.
Some children try to survive in tough living situations.
By Fun Mom
This hopefully will show children that it is okay to share worries with a healthy adult, instead of their thinking they did something wrong and caused the problem. Talk to your children on their level.

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